I first met Liz Kantner while at the Couture show in the Todd Reed booth. I liked her instantaneously. Since then, I’ve gotten to know her via social media, even though she’s based in Colorado and I’m here in California. I admire her personal style and how she just gets what’s cool, even if the rest of us don’t know it yet. Not only does she write an on-point jewlery blog, but she is also a jewelry consultant and jewelry-lover to the Nth degree. I was thrilled when she agreed to photograph her ears for a week so we could get an up-close look about what’s hip in the world of Liz. Though she does wear a stud configuration most days, at least a few days a week (when she’s feeling bold) she rocks a dangling earring. So without further ado, check out her week…
In all vintage studs…
This next look is vintage studs with a dangling earring by Laura Wood.
A Todd Reed drop earring with a vintage bug and tiny star earring are so unexpected, yet they work!
This ram earring from Fox & Bond is perfection with the vintage wishbone and tiny star earring.
And what about this Collette Ishiyama drop earring paired with a quartz stud from @xavi.and.gold and the vintage tiny star earring?
Though I did get two additional piercings in my left ear in 2014, I sadly had to let the very top one close — it just wouldn’t heal. I am now exploring my next earring purchase for my lone second piercing on my left ear. I did order one of the earrings in this post to try out, as I’m totally obsessed with it. Any guess which one it is?
Thank you so much, Liz, for sharing your lobe and your jewelry savvy with us!! xo
I was on Instagram scrolling through my feed three weeks ago, and it sort of went like this…cute, ‘like’…funny, ‘comment’…still scrolling…why did they post that?!…still scrolling…Holy Cow–what am I looking at?!? (almost drop phone)
This is the image posted on Liz Kantner’s page of two of the most unique bangles I’ve ever laid (virtual) eyes on! The designer is Freestone Peach, and I had to find out more!
Joel Adam Baynard, the master behind Freestone Peach, did not set out to become a jewelry designer. In fact, his path to getting here has been quite diverse. Born and raised in North Carolina, he had creative relatives in the Blue Ridge Mountains who quilted, shaped stone and turned wood. He has served as a US Naval officer, lived in Japan four times (He’s fluent in Japanese!), has worked in healthcare construction and administration, and went to business school at Wake Forest University. Who knew that this would be the path to selling his first piece in August of 2013.
Cherry wood with turquoise, azurite and malachite
While interning for a construction company in Tokyo in 1999, Joel learned about the Shibui aesthetic, “…which consists of seven qualifiers: Simplicity, Implicitness, Modesty, Silence, Naturalness, Everydayness, and Imperfection.” I had to read this list many times for it to start sinking in. I like this philosophy a lot.
He strives for Shibui in his creations. He told me, “I think second chances and relationships are the heart of my work. I use flawed pieces of wood, scraps that would be burned, and fruit trees that are abandoned to infestation. The wood could not stand alone, typically next in line for the burn pile. The stones don’t make the cut as most cull through them. I take these two imperfect materials and marry them together. The wood provides a darkling and elegant structure that holds the stone together. The gems fill the emptiness of the timber with an astringent spontaneity and new life. Silent, simple, unobtrusive beauty.” Wow…I’m floored by this description.
Raw materials in which he sees the beauty that others may not
Love this behind the scenes look at his workbench.
Currently based in Rutherford County near Asheville, NC, Joel sources most of his wood “from the peach orchards across the upstate of South Carolina (Greenville, SC) to the apple orchards in Hendersonville, NC, and in the forests around there as well.” I’m moved how he maintains his roots in his art.
Here is a bangle made from the ivory wood of a spalted apple tree. I particularly enjoy the unique color of the wood, don’t you?
Compare this to the deep hue of black walnut, with apatite and copper. Stunning and dramatic.
The perspective in this photo is fantastic –how the light shines through the apatite and makes is look almost other-worldly.
He shared this piece on his blog, which he says reminds him of his grandmother’s quilts. I can certainly see it!
Scrolling through all his work, I’m especially drawn to this one, in black walnut with aquamarine.
I cannot wait to one day see these bracelets in person. But for now, I’ll get my fill through the amazing images on Instagram. Joel, thank you SO much for the interview, and I can’t wait to see what you turn out next!
