As is often the case, I first came across the intriguing designs of New York-based jewelry designer, Page Sargisson, on Instagram. I was at once taken by the texture of the gold, and the wearability of this fine jewelry line. I could easily envision wearing it every day and then dressing it up for a special occasion. I was so thrilled to finally meet her in person at the Couture show in Las Vegas. I hope you enjoy learning more about the line from Page herself.
Can you tell me a bit about how you transitioned from a corporate job to jewelry making?
I grew up always making things – knitting my dolls clothes, wood carving with my grandfather and I’ve always made jewelry. After college I worked in corporate communications at a biotech company and at night I’d craft or make jewelry. People at my company started asking if they could buy the necklaces that I made, and before I knew it, I had a full-on side business. Sometimes I felt like a drug dealer when people would come into my office and I’d open my desk drawer full of necklaces. I ended up taking classes in wax carving and metalsmithing, and the wax carving brought me back to working in my grandfather’s basement studio carving ducks and dovetailed boxes.
The aesthetic of your line is so unique. How would you describe it to someone seeing your work for the first time?
I want the end customer to think of the person who created the piece. I think of my file marks as brushstrokes in a painting – it gives a connection to the process of making the piece that you’re wearing. It is raw and rough – it’s not everyone’s aesthetic but it makes the sapphires a little more casual, which I think allows people to wear it everyday. I wouldn’t wear a traditional round, brilliant cut sapphire ring set in gold prongs everyday, but I do wear my rose cut sapphire bands set in 18KT gold everyday with jeans or a dress.
I make a lot of engagement rings using old Euro and old mine cut diamonds – my clientele seems to respond to the idea that it was mined ages ago rather than recently. I also re-do a lot of client’s inherited jewelry. It’s so sad how much jewelry just sits in a safe. Change it, melt the old gold and re-make for your style. It’s just another way of recycling.
I have been wearing this signet ring on my pinky for a year now – I get so many compliments on it. It’s basically a new take on a classic.
I love creating pieces, I love working at the bench – I could be there all night carving (and sometimes I am!). The longer I’m in business, the more I realize that I’m more of an artist than a business person. I’m more excited about creating a piece that I love than hitting a sales target. And that would also be my challenge; it’s really hard to run a small business. I have to deal with accounting, inventory management and everything else while also creating pieces that I love but will also sell. It’s really hard!
