Over the past few years, antique jewelry has really made an entrance in my life. And with it, I’ve been experimenting with some ways to style antique necklaces so that they look current and express my personal style. I certainly don’t want to look like a “fashion don’t” when stepping out the front door! I want to share two different ways to utilize antique necklaces. The first is layering, and the second strategy is using one necklace as a focal point.
So let’s start with layering necklaces. With this, you can layer various antique/vintage necklaces, or you can mix old and new together. Doyle & Doyle recently shared this photo on Instagram, which is a fantastic example of how to layer with panache.
My personal collection doesn’t have so many amazing antique necklaces (#goals), so my own style experiment only involved two necklaces: one non-antique (a Marla Aaron chain & lock with a Monica Marcella enhydro quartz pendant and a tiny pearl pendant from Erica Molinari) along with one antique (a 57″ 9K gold chain from Lenore Dailey with a Victorian “A” locket from Erica Weiner).
I’ll share what I did with them two days last week. On Monday I looped the long antique necklace around my neck twice, creating a choker effect, and paired it with the non-antique necklace.
In my typical black, I liked how they looked with my harem pants and sandals. I describe my personal style as “urban bohemian” and I thought this ensemble was true to my style.
Then on Wednesday, I wore a dress over a pair of cropped, frayed-hem jeans. I wore the 57″ necklace long, layered the new necklace. I’d never worn a necklace so long! But once I figured out how to maneuver it (and not get it stuck in the seatbelt), I felt pretty swishy! It’s true that I don’t necessarily look like anyone else on the street, but in my book that’s a good thing.
Now let’s take a look at just using one necklace as a focal point. While I was at the Hillsborough Antique Fair a couple weekends ago, I spent quite a bit of time with the charming Lenore Dailey. I photographed two different necklaces to use in my examples. The first one is a Victorian 18K and silver necklace with rose cut and old European cut diamonds. At first glance, you might think, “Oh, this is gorgeous, but certainly best worn for a dressy occasion.” I feel the complete opposite. I think it would look just amazing worn during the day. Don’t worry…I’ll give you some ideas how in a minute.
The second necklace that caught my eye in her booth was this Georgian 15K gold flower chain with the most amazing clasp — check out the cabochon turquoise. What workmanship!
So yes, of course you can wear these necklaces with a cocktail dress. But how cute would they look with a t-shirt, jeans, boots and a biker jacket? Or what about this — a simple pencil skirt, a pull-over sweater, and funk it up with some Golden Goose Sneakers. (yes, I might be just a wee bit obsessed with these sneakers).
If you add one of these necklaces to the sporty chic look, it’d be awesome! I like how the turquoise would look against the raspberry color. Not too “matchy-matchy,” if you know what I mean. And the juxtaposition of the diamonds with sneakers would be so cool — not a combination someone might typically come up with while getting dressed.
The bottom line is I want you to know that it’s much easier to incorporate an antique necklace into your look than you might think. Try it on with unexpected garments, and you might be very surprised at how original and unique it looks. And with any item you purchase, remember that the more it costs, the more you should wear it so that the cost-per-wear goes down. Never save anything “for good.” Now venture forth into your jewelry box and your closet and have some fun! Send me pix of what you come up with.
I began my trek back through jewelry time in July, when I published the article What is Georgian Jewelry? This was the first in a series exploring the different eras of antique jewelry, including Georgian, Victorian, Edwardian, Art Nouveau, and Art Deco. It’s now time to delve into the fascinating genre of Victorian jewelry, which hails from 1837-1901. Some major historical events occurred during this time, including the conclusion of the Industrial Revolution, the rise of the middle class, the American Civil War, and gold being discovered in a few countries, including right here in California. You may ask, “Why is it even called Victorian?” Well, it’s all from the time period when Queen Victoria sat on the throne of Britain. Pretty amazing to think that this one woman had such a profound influence on jewelry during her reign!!
Personally, every single item of antique jewelry I’ve purchased has been from the Victorian period — how strange is that?! It’s simply what I’m drawn to, before even knowing much about it. Here’s three examples of Victorian turquoise from Erica Weiner, Studio Collections and Metier. (It also doesn’t hurt that Victorian jewelry is generally much more affordable than Georgian jewelry!)
The Victorian era can be separated into three different segments. The first, called the Romantic period, was from 1837-1860. Queen Victoria was young and in love, and her jewelry reflected this. Sentimental motifs of flowers, clasped hands, and hearts (to name a few) were all the rage. Even snakes were extremely popular, as they represent wisdom and eternal love. In fact, Victoria’s engagement ring was a snake with emeralds, rubies and diamonds. (photo from aboutgemstonejewelry.com)
When Queen Victoria’s husband died in 1860, everything changed. Gone were the whimsical and light-hearted themes. In its place was dark jewlery, both in feel and color. This time is called the Grand period, and lasted for the next 25 years. Mourning and memorial jewelry were abundant, and stones such as onyx, Whitby jet, and garnets were very en vogue.
Things began to lighten up in later Victorian times — this third part is called the Aesthetic period, and took place during the last 15 or so years of Victoria’s reign. There was a return to more delicate designs, with more of a feeling of prosperity and optimism. This period also overlaps some other jewelry movements, such as Arts & Crafts.
Not only did styles of jewelry change during the Victorian era, but so did production methods. During the Industrial Revolution, both stamping and electroplating were invented. So while in the first part of the Victorian period all jewlery was handmade, in the second half it was often machine-made. In addition, in 1854 Britain made it legal to use lower karats of gold in jewelry, thereby really opening up the world of jewelry to the growing middle class, where once it had been reserved for only the very wealthy. Silver also became available in the mass market, making jewelry much more accessible.
I want to share some of the popular styles for this time period. With some, you’ll see some overlap with that of the Georgian period, such as in mourning jewlery and hair jewlery.
Brooches: These were especially popular when the fashion was wearing high necklines. It was much easier to don a brooch instead of figuring out how to have a necklace lay properly over a high collar. Not only is the bow a key motif of the period, but the engraving and the cabochon turquoise were very on trend as well. (brooch via antique jewellery company)
Cameos: They were most popular during the Grand period, and often were in onyx, coral and amethyst. These cameo earrings feature Roman centurions, and the agate is surrounded by seed pearls, another popular Victorian design detail. (earrings via Lang Antiques.)
Hair Jewelry: As you saw in the Georgian period, using a loved ones hair in jewelry was all the rage. It could be simply to honor a living person in your life, or it could be in memorial of someone who had passed. (brooch via The Rusted Anchor)
Mourning Jewelry: This piece of hair jewelry is clearly also mourning jewelry. The initials RC are on the outside, and “mama” is engraved on the $1 gold coin hanging from the ring. (ring via Gold and Silver Brokers)
Portrait Jewelry: In my mind, this is sort of an expansion of the Lover’s Eye lockets from Georgian times, which just showed a painting of the eye of one’s lover. In Victorian times, it was popular to wear small portraits of loved ones. In this example, you’ll once again see pearls being used as an edging. (brooch via Doyle & Doyle)
Posy Rings: I find these to be so charming. Posy comes from the French word “poesie,” meaning poetry. In posy rings, you’ll find short inscriptions. This particular posy ring was a wedding ring, inscribed with “A hope fulfilled. 18th March circa 1880.” (ring via Lucy Bedeman)
Acrostic Rings: These are pretty darn cool, I have to say. Basically, stones are chosen for the ring in which the first letter of each stone spells out a secret word. This one secretly says “dearest” with diamond, emerald, amethyst, ruby, emerald, sapphire, and topaz. Pretty awesome, right?! (ring via Erica Weiner)
Mizpah jewelry: Though I’ve seen mizpah jewelry here and there, I honestly had no clue what it was until I did research for this article. Mizpah signifies an emotional bond and means “watchtower” in Hebrew. It’s given to a loved one when separated by distance. How romantic! This mizpah ring is extra-special, as the word is hidden behind a hinged buckle. (ring via Erica Weiner)
Bracelets: Braclets, from bold to matching bangles to stacks, were very stylish in the Victorian period. Here’s a couple examples of popular styles. First is a snake (there’s that theme again!) with rubies. (bracelet via Lang Antiques) The second is a wide silver and gold overlay bangle with sunflowers. (bangle via the Antique Jewellery Company)
Lockets: With photos, hair, and sometimes even teeth inside, lockets were key in this period. This one also has enameling, which was also very of-the-day. (locket via Metier)
Etruscan Revial: More and more people started traveling during this time, so it makes sense that fascination with ancient time periods rose. You’ll find evidence of Egyptian and Greek motifs, as well as the granulation seen in the Etruscan Revival pieces. (earrings via Butterlane Antiques)
Out of all these different styles, which would be your first pick? I think if I were living back in Victorian times, I’d definitely be wanting an acrostic ring from my lover. And I’m definitely warming up to the idea of snake jewelry…sorry, mom!
It has been years since I’ve been up to Sonoma, even though it’s only a two hour drive from where I live, so I was very excited to head up there this past Friday. Not only was I meeting a dear friend and colleague for lunch, but I was also finally going to visit Studio Collections Jewelry. I have been “virtual” friends with the owner, Bess Nathan Rice, for quite some time now. Located just off the main square, this store sells a very wide array of styles, from dainty to bold, new to vintage. I have no doubt that whatever your personal style, you’d be able to find something to complement your wardrobe in this boutique.
As I walked in, I met Beth Hanson, who is the woman in charge of all the styling and merchandising at the store. Her love of jewelry had us chatting non-stop.
There are quite a few lines that were new to me, and I want to share a few of them with you. The first one, Yed Omi, was located at the counter right as I walked in. It’s handcrafted by a husband/wife team out of Portland, Oregon.
I tried on the gold earrings on the right, and they were quite fabulous! Not only are they extremely lightweight, but the line is very reasonably priced.
Bess, the owner, also sells her own line. Luck would have it that she had just brought in trays of new designs while I was there. This necklace can be worn long, doubled, or even tripled. It features a rose-cut diamond and sterling pendant, with Tahitian Keshi pearls; these pearls are quite unique, as they are non-nucleated.
She also showed me this necklace with tourmaline, Tahitian pearls and some excellent swinging tassels.
You may be getting the gist that Bess is definitely a pearl girl. If you’ve got some pearl jewelry that just isn’t doing it for you anymore, Bess can help you re-design them.
I couldn’t help but notice a display of larger-scale jewelry by Patti Crandall. I wasn’t familiar with her line, and I found out why — Studio Collections is the only place she sells her work! Take a gander at these three rings. I tried on the one with citrine topaz and moonstone. Now that’s a statement!
I also had to try on these three opaque diamond rings in 18K…
This necklace was also very intriguing. Made from a replica of an ancient Greek coin, you can see there are four spinels on the back side. Definitely a conversation piece.
On one whole wall of the store there are these great shadow-box cases, just beckoning you to come closer and inspect the treasures inside.
One case in particular was calling my name — that which was full of traditional Mexican earrings. They are all hand fabricated in Oaxaca and Taxco. Although they look like they could be vintage, they are newly made, and ready for the right buyer! Here’s a few pair of earrings from this group. Whether or not they’re your personal style, you’ve got to appreciate the detail in the workmanship.
As I was looking at the selection of earrings, Bess pulled out a very special pair of gold and pearl “gusano” (meaning caterpillar) earrings. This pair is in fact vintage. I’ve honestly never seen anything like them.
Speaking of vintage, there is a carefully curated section of estate jewelry. Since I’ve been educating myself on different eras of jewlery, I enjoyed trying them all on.
But have no fear if your taste is more on the contemporary side. You can find some beautiful designs, such as these rings by Sonoma County’s own Jennifer Dawes.
Should you decide to purchase something, either for yourself or for a gift, know that you’ll be getting a very specially wrapped box. As I watched Beth wrap up this ring box, we were laughing about how it reminded us from that scene from Love Actually where Alan Rickman is purchasing a necklace for his secretary. Humor! (Oh, and if you haven’t ever seen that movie — download it right away. It’s one of my all-time favorites.)
Bess, I so enjoyed visiting your store and getting the chance to know you in person. Thank you for all your time and expertise!
With Bess, the owner of Studio Collections Jewelry
Oh, and if you’re looking for a yummy lunch nearby after jewelry shopping, I really enjoyed El Dorado Kitchen, right on the square. I’m still dreaming about the heirloom tomato salad…
The title of this blog post may confuse you — especially if you aren’t on Instagram; so let me explain. The talented Tura Sugden has created the hashtag #jewelryuniform to challenge other Instagrammers to show a pic of the jewelry they wear each day…in other words, your “jewelry uniform.” I’ve been loving getting a peek into the jewelry boxes of so many jewelry-addicts I admire. And then, I was challenged by both Dana Bronfman and Becky from Diamonds in the Library to show mine. Ack! My immediate reaction was, “How can I possibly do this? I wear different things almost every day!” But the more I contemplated the jewelry in my life, I decided it was possible to narrow it down to the key pieces which have been making me smile this summer. Just like Becky, my fellow writer, I cannot limit this to just one photo, so here I am writing an entire article about it. 😉
First off, I tend to have more silver-oriented days, and others that veer more towards yellow and rose gold. I never have on only one tone of metal from head to fingertips, but there’s definitely an emphasis each day. So let’s start with the “gold” days.
For me, this ensemble starts with the shorter necklace, comprised of an enhydro quartz pendant by Monica Marcella on a hand-fabricated chain by Tura Sugden. I pair this with a super long chain of oxidized silver with little gold beads. I have no clue where I purchased this — I’ve had it for a zillion years.
Ears are adorned in my most favorite rose gold and moonstone studs by Nak Armstrong. (Nak helped me pick them out when I visited him at a trunk show he was having at Barney’s in SF; it’s like they were made for my tiny earlobes.)
The wrist is pretty simple with a dark silver chainlink bracelet with a rose gold and moonstone clasp by Alberian & Aulde from Gallery of Jewels.
Then, there are many rings to create a combination from…
I do not wear them all at once, nor all on one hand. My mood and the state of how puffy my fingers are (am I the only one whose fingers are puffy in the morning?!) help me decide what to wear. Top to bottom, left to right, here’s the designer info:
Third Eye ring with a faceted black diamond from Fiat Lux
Polly Wales diamond eternity band (definitely the piece I wear every single day, no matter what)
Vintage gold, silver and sapphire ring bought over 20 years ago
Rose gold and labradorite navette ring from Arik Kastan
Now, let’s turn to the days where my outfit calls for more of a silver vibe.
Again, I start with the necklace, in this case the “egg” pendant from Sophie Buhai. When I ordered it, I requested two chains of different lengths. This has given it more milage, since different lengths give me more options with regard to what looks best with the neckline of what I’m wearing.
My white gold and diamond earrings by Sethi Couture are a definite go-to. And on my wrist, I stack three bracelets: a silver chain link with gold lock from Marla Aaron, a silver Hermes Collier de Chien bangle, and an oxidized silver bangle with square labradorites from Nak Armstrong.
For rings, I typically choose among these 4, which include three by Rosa Maria (from Betty Lin) and a Spinelli Kilcollin multi-metal ring with topaz.
No matter if it’s a silver or gold day, I always wear gold studs in my 2nd piercing. It’s the only metal that doesn’t seem to infect my ear at this point. So, I opt for either my Gabriella Kiss “slug” from Quadrum Gallery or a tiny disc with white sapphires from Polly Wales.
So there we go…my #jewelryuniform. What about you? Do you have one? Definitely post a photo on Instagram, use this hashtag and tag @amyroseveare so I can see what baubles make you happy every day. Join in on the fun! Thanks to Tura for creating this, and to Dana and Becky for the tag! xo
My love of jewelry has no boundaries in terms of time. New, antique, vintage — there’s just so much darn jewelry goodness out there! Typically, I buy what speaks to my heart, whether I know much about it or not (from a reputable source, of course). This is how I wound up with a couple Victorian rings from Metier in the past year or so. But as time goes by, I’m thirsting for knowledge about the different time periods of antique and vintage jewelry: Georgian, Victorian, Edwardian, Art Nouveau, and Art Deco. If I’m wanting to know more, then I’m assuming I should take you all along for the historical ride, right? So let’s dig in to this new blog series, and answer the question, “What is Georgian Jewelry?”
Georgian jewelry comes from the time period 1714-1837, in which there were four consecutive King Georges reigning in England (the I-IV). It was truly a tumultuous time in history, including the American Revolution and the French Revolution. Marie Antoinette? Catherine the Great? Yep, also part of this time in history. Because this time period covers over 100 years, you can certainly see an evolution in styles. In the early 1700’s jewelry was more in the Baroque style, characterized by a heavier feeling. Things lightened up in the mid 1700’s.
Jewelry was all made by hand of 18K gold (or higher) or silver. Platinum was not yet discovered, and white gold was not used in jewelry. Gold had to be hand hammered into thin sheets before it could be cut up to make jewlery. This process got a bit easier in 1750 when the rolling mill was invented. Interestingly, Georgian jewlery usually doesn’t bear any hallmark stamps of either the maker or the metal content. It was just not done at this time.
There were many popular motifs during this era, including:
bows, ribbons and scrolls
nature: leaves, flowers, feathers, crescents
crowns
crosses
Greek, Roman and Egyptian motifs
Diamonds were especially popular, and they normally came in one of the following cuts:
rose cut: these have a faceted, domed top and a flat bottom (see example in first photo in this article)
table cut: a square shape with a flat top and bottom
old mine cut: a faceted rounded square, known as “the brilliant cut” of the time period
Colored stones became more en vogue as well around the mid 1700’s. All stones were set with a closed back, often with a foil backing. This foil made the diamonds sparkle brighter and enhanced the color in other gems. (Due to the foil, it’s very important to never wash your hands wearing a Georgian ring. It will wreck it!) Jewelry was worn mainly by the very wealthy and some of the upper middle class. “Paste” jewels (basically cut glass, often foil-backed) were also popular, and the elite sometimes had paste replicas of their good jewels to wear during travel. That way, if they were robbed, they still had the “good stuff” at home.
Now what about the types of jewelry that were popular? Here’s some key styles from the Georgian period:
Girandole earrings: style where there’s three pear-shaped drops hanging from a bow or some other central element (earrings via 1stdibs)
Pendeloque earrings: these have a top that’s round or elongated, then a bow, then a larger, complementary drop (earrings via Vignette)
Parure: “sets” or “suites” of jewelry, often containing a brooch/pendant, necklace and earrings (Parure from Doyle & Doyle)
Tiaras and Hair Combs
Memento Mori/ Mourning jewlery: jewelry to commemorate someone who has passed or to remind one of the inevitability of death (mourning ring via Robbins’ Roost Antiques)
There’s also a very interesting type of jewelry from 1804, known as “fer de Berlin” jewelry. At this time, many Germans donated their fine jewelry to support the war against Napoleon. In return, they received replicas of their jewelry made in iron with black lacquer. This is a difficult one for me to wrap my head around. I can’t imagine sacrificing my most precious jewelry — that shows true love of your country!! (Berlin iron bracelet via 1stdibs.com)
Unfortunately, there’s not an over-abundance of Georgian jewelry around today. It was often taken apart, melted down, and re-worked. Due to its rarity, you can imagine that quality pieces are an investment. Do you happen own any Georgian jewelry? Or do you know any other interesting facts about the period? I’d love to hear from you in the comment section below!
Julie Romanenko, the designer of Just Jules, is another talented artist I only knew via e-mail and social media. Meeting her in person at the Couture show was long overdue. (And how perfect that we fortuitously met the night before the show was to start — stars aligning!) Before I even started looking at the treasures in her jewlery cases, I couldn’t help but stare at the stunning opal pendant around her neck, which is one of her signature pieces. The combination of tones in the stone, the unique setting and the layered look is just spot on.
Opals are, in fact, one of her favorite stones — as they are mine. Take a gander at these opal necklaces.
Here’s an array of her rings, featuring all different stones, including opal.
And what about these opal earrings? The Art Deco details are inspired by the bails on some of the vintage lockets she owns.
Speaking of lockets…Julie takes vintage lockets and re-works them, combining them with new chains, gems and pearls. They are one of the most popular collections in her line, and I can see why. SO easy to wear, and they have so much character.
Being a master of re-working vintage pieces, can you spot the bracelet in her stack that’s made from an antique pin converted into a bracelet? I think the overall effect of her mix is sensational.
Just Jules, launched in 1991, is based in Scottsdale. Julie told me she fought making rings for some time, but now she’s obsessed with it. Who wouldn’t be?! Here’s a sampling of diamond rings from her Commitments Collection. Which one is your favorite? I just can’t decide…
Not only is Julie an outstanding jewlery designer, but this gal can bake! She had a big glass cookie jar of homemade sugar cookies on her counter. (Why did I not take a photo of this?!) I may have had one every day…and taken some for the plane ride home. Boy were they yummy!
Julie, so wonderful to finally meet you and try on your jewels. I’m a big fan!! xo
I’ve come full circle with my year of birthstone articles, ending with July’s stone, the ruby. (Just for you, mom — happy birthday!) Through my research, I found the ruby to be quite fascinating. It turns out that throughout history, the ruby was considered the most valuable of all stones, even more than a diamond. In the metaphysical world, it has the highest vibration of all stones, so high in fact, that it’s not a stone commonly used in mediation because it’s too darn energetic. Rubies represent love, passion and prosperity. Though I always think of rubies as red, they can actually range from a paler rose to a deep, crimson red (the most valuable). There can be a cast of orange, blue or purple to them, depending on where they are mined.
When you wear a ruby, here’s some of the qualities it will help you with:
-a clear mind
-brings a sense of adventure
-self-confidence
-motivation & high energy
-an aphrodisiac
-gets rid of nightmares
-courage
-stone of manifestation/following your bliss
Interesting, right?! And to whet your ruby appetite, here’s some stellar pieces of jewelry…
I know it’s been months and months since my last Jewelry Judge post, but I was just waiting to find the right subject…and I think it was worth the wait! I was recently lunching in Palo Alto, and this woman’s jewlery really caught my eye. While her outfit (pants, fun shoes, silky top and jacket) was lovely, it’s her jewlery that spoke volumes without her even having to say a word. Here’s the bracelets adorning her wrist.
In speaking with her, I learned the wider cuff was made by her mom when she was in high school during the 1940’s. Believe it or not, jewlery making was an actualclass she took at Abraham Lincoln High School in San Jose, CA!! Say what?! The exotic bracelet it’s paired with was purchased by a distant relative (a cousin of her husband’s grandfather) on a trip to Asia in the 1950’s. She was a world traveler and her dad co-designed the Ellis Island Immigration Station — too cool.
Then, there’s the necklace she was wearing. She purchased it as a high schooler while in Copenhagen during the 1970’s. She and one of her BFFs were on a summer-long trek around Scandinavia visiting relatives. Oh, how I would have loved to be doing that at her age. (Or even now, for that matter!)
So here she was, in a very modern outfit, wearing jewelry that was 40-75 years old. And the result? I wanted to get to know her. Her jewlery choices showed she had stories to tell, she was confident in her own personal style and it all just worked. She told me, “I have many jewelry treasures from far-flung places, family and friends. Wearing them provides happy reminders of treasured memories and dear ones, in addition to showing up in something uniquely mine.”
The Jewelry Judge definitely gives this woman two thumbs up! It also inspires me to take a close look at my jewlery box and see if I can put some vintage items back into the rotation.
Gem Gossip is one of my favorite jewelry blogs I follow. It has a strong focus on vintage and antique jewelry, which is an area I’m always looking to learn more about. Danielle, the talented writer, recently posted an article about different ways she was styling her figa charms. I was totally into it! Here’s an image from her article. And I was left with, “I love this, and what the heck is a figa?!”
How Danielle, from Gem Gossip, is styling her figas
When I started researching what a figa is, I learned it’s quite the controversial symbol. Properly called the “mano fico,” this is an Italian symbol going back centuries. (Must be my half-Italian side that was drawn to this!) The symbol is a closed fist, with the thumb going through the index and middle fingers. It is a representation of a woman’s genitalia and sex, to be blunt. It is said to ward off the “evil eye” and bring protection to the wearer. Basically, the gesture is supposed to be so offensive that it scares off the “evil.” Interestingly, Brazil and Portugal also see this amulet as a good luck symbol. BUT…much of the world sees this as a very obscene gesture, basically the equivalent of giving someone the finger. (Note to self, never wear this in Turkey, South Africa, France or Russia.)
Of course, I had to have one too, so off I went to Esty where I found a lovely vintage rock crystal figa from MindiLynJewelry. If you follow my blog, you know I’m a complete rock crystal addict! (My body actually craves it.)
The first thing I did was to style it similarly to how Danielle did hers. I, too, have a vintage gold Italian horn. I then added a goddess charm that brings a smile to my face, which I think makes for a fun trio. I will say that this mix produces a bit of noise, which I noticed anytime I moved during acupuncture. (But it was a happy sound.)
The next day, I layered this same trio with a longer necklace. This one is a moonstone beaded necklace from Flying Lizard with a Dominique Cohen pendant. I like the combo.
And thanks to this experiment (and Danielle), now I’ve got a new love of “the figa,” as if I needed one more jewelry crush…It’s a good thing this Victorian wooden figa is already sold. It’s wearing a bracelet for goodness sake — how cool is that?!
I first met Liz Kantner while at the Couture show in the Todd Reed booth. I liked her instantaneously. Since then, I’ve gotten to know her via social media, even though she’s based in Colorado and I’m here in California. I admire her personal style and how she just gets what’s cool, even if the rest of us don’t know it yet. Not only does she write an on-point jewlery blog, but she is also a jewelry consultant and jewelry-lover to the Nth degree. I was thrilled when she agreed to photograph her ears for a week so we could get an up-close look about what’s hip in the world of Liz. Though she does wear a stud configuration most days, at least a few days a week (when she’s feeling bold) she rocks a dangling earring. So without further ado, check out her week…
In all vintage studs…
This next look is vintage studs with a dangling earring by Laura Wood.
A Todd Reed drop earring with a vintage bug and tiny star earring are so unexpected, yet they work!
This ram earring from Fox & Bond is perfection with the vintage wishbone and tiny star earring.
And what about this Collette Ishiyama drop earring paired with a quartz stud from @xavi.and.gold and the vintage tiny star earring?
Though I did get two additional piercings in my left ear in 2014, I sadly had to let the very top one close — it just wouldn’t heal. I am now exploring my next earring purchase for my lone second piercing on my left ear. I did order one of the earrings in this post to try out, as I’m totally obsessed with it. Any guess which one it is?
Thank you so much, Liz, for sharing your lobe and your jewelry savvy with us!! xo
